He's a tired fellow. Everything about him looks tired, from his slumped shoulders to his disheveled hair, and the slightly frumpy jacket that he's wearing ( Read more... )

Anyone looking at that seat near the end of the bar tonight may find themselves seeing a potentially disturbing and worrisome sight ( Read more... )

Bennet has been around the bar and out again for the better part of the weekend. He's currently sitting at the bar nursing a martini, the conversation with Peter a few days earlier still mulling over in his mind.

He occasionally glances at the front door.

[OOC: Episode 16: "Unexpected"]Opening the front door to the bar, Mr. Bennet blinks in calm surprise. He pauses in the doorway to flip open his cellphone, the surroundings of what looks to be the inside of an aircraft behind him ( Read more... )

[OOM: Fathers, be good to your daughters. Daughters, talk about manatees to your fathers.

Or, a missing scene from episode 1.13, The Fix]

[oom: Mr. Bennet finds that Claire, after being grounded, has disappeared.]So opens the front door, a middle-aged man dressed in a pressed grey business suit, balding, and thick-rimmed glasses. Keys in hand, he looks as if he were rushing off to business in a hurry ( Read more... )

There's a young man in white by the fireplace, playing his violin. He has no color to him; all the color is in his music, the notes of which hold the green of the ripening wheat as seen through the shimmering heat haze of summer. The whirling turns that arc through the strings' range hold the fierce blazing blue ceiling of the sky, the swirling ( Read more... )